Mary O’Connor
Artist Statement
I paint landscapes rooted in the places that have shaped my life. Working in acrylic paint, collage, and original photography, I move between painting on location and abstraction, each approach informing the other. Painting on location grounds my work in the emotions a landscape evokes, while abstraction allows me to follow that feeling further. I focus on atmosphere and emotional resonance rather than detail, leaving space in the work for the viewer's own interpretation. ARTIST BIO Mary O'Connor is a Pacific Grove, California artist whose work sits at the crossroads of memory and place.
Having lived in urban, desert, rural, and coastal landscapes over the years, she's become attuned to the emotional imprint that lived experience leaves on a person. Her paintings draw equally from remembered and observed landscapes, holding onto both a place's physical character and the feeling it leaves behind long after she's left it. Working in acrylic paint, collage, and original photography, O'Connor moves fluidly between painting on location and abstraction, allowing each approach to inform the other. Her compositions favor atmosphere and suggestion over precise detail, creating space for viewers to bring their own memories and associations to each piece. O'Connor studied at Moore College of Art and earned a Bachelor of Science in Interior Design from Drexel University. She continues to paint and exhibit from her seaside studio in Pacific Grove.
Gallery Statement
Landscape | Dreamscape explores the places that continue to stay with me, even now. Across a life spent in very different settings, I've come to understand landscape as something carried inward—a quiet record of where we've been and who we became there. The Landscape paintings begin on location, where working directly from a place lets me respond to its light, mood, and presence in the moment. The Dreamscape series grows from these experiences, blending acrylic paint, collage, and original photography to allow memory and imagination to reshape what was once observed. These aren't meant as portraits of specific places, but as impressions of what a place feels like once it settles into memory. I hope viewers find in them an echo of their own remembered landscapes—the ones that continue to linger, long after leaving.